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KUNST FÜR UNS – Instagram for Arts

KUNST FÜR UNS betreut Instagram Accounts aus dem musealen Bereich. Strategische Konzeption von Instagram Accounts, Content Erstellung, Instameets, Blogger Relations und Analyse der Instagram Performance sind unser Spezialgebiet.

Um laufend Einblick in unsere Arbeit zu bekommen, folgen Sie uns auf Instagram @kunstfueruns

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Today‘s post for @akademiegalerievienna by #kunstfueruns 👉#behindthescenes we love to stroll through our depot. And then we thought, it might be a good idea to share what we find with you as well! So, from now on, expect hidden treasures of #akademiegalerie #vienna here on Tuesdays! 😍 #depottuesday ✨ #DepotDienstag ✨ Today’s post for @kunsthistorischesmuseumvienna by #kunstfueruns 👉#SleepyMonday 😴 The extended opening times on occasion of ‚Caravaggio & Bernini’ are over and we are closed again on Mondays. Hence, some of the protagonists on our pictures are having a good nap today. 😊 But during summertime #kunsthistorischesmuseum #vienna will again be open daily. 🤩 Peter Paul Rubens, The Hermit and the Sleeping Angelica, c. 1626/1628 Today’s post for @kunsthistorischesmuseumvienna by #kunstfueruns 👉 Yesterday night we finally had snow in Vienna! Meanwhile it is gone again... Thanks to @altwienermops for capturing this magic snowy mood in front of #kunsthistorischesmuseum #vienna 🤩 Today’s post for @kunsthistorischesmuseumvienna by #kunstfueruns 👉 The portraits created by Caravaggio, Bernini and their successors are particularly personal and lively – like snapshots today. 📷 And if we look at them now, they still give us a sense of being able to share moments from the times of the #barockstars. ✨ This masterpiece, depicting Thomas Baker, was modelled out of Carrara marble by Gian Lorenzo Bernini. Look at the finely executed collar and how Baker’s full hair is floating loosely around his head. The freedom with which Bernini handled the stone drill, leaving visible traces here and there, lends an almost painterly touch to the bust. 👌 Tomorrow, we will have to say goodbye to the wonderful objects on loan that have joined us for the special exhibition ‘Caravaggio & Bernini’. 😢 From 14 February on, the exhibition will be shown at @rijksmuseum 😃 Gian Lorenzo Bernini (Naples 1598–1680 Rome), Thomas Baker (1606–1657/58), Rome, 1637–1638, Carrara marble, H. 81,6 cm (incl. base), London, Victoria and Albert Museum, Inv. no. A.3-1921 @vamuseum #kunsthistorischesmuseum #vienna Today’s post for @kunsthistorischesmuseumvienna by #kunstfueruns 👉 Did we interrupt Maffeo Barberini reading? His right hand is resting on the page of an open book. It looks as if he didn‘t want to lose his place. 📚 As the last days of our exhibition ‘Caravaggio & Bernini’ have come, we are sharing more about the #barockstars 🤩 ‘Vivacità’ is one of the affects shown in the exhibition. Liveliness, Vivacità, was particularly pertinent in early seventeenth century portraiture. The models were moreover depicted in a very personal manner: their facial expressions mark them out as individuals. In this masterpiece by Caravaggio, the portrayed Maffeo Barberini (who later became Pope Urban VIII) appears distracted. He is probably still thinking about what he has just read. It might have been a love poem, as could be indicated by the vase with flowers. Read more about it now on our exhibition website – link in bio! Michelangelo Merisi da Caravaggio (Milan 1571–1610 Porto Ercole) Maffeo Barberini (1568–1644) 1596/97, Canvas, 121 × 95 cm, Florence, Private collection #kunsthistorischesmuseum #vienna #caravaggio