Home

KUNST FÜR UNS – Instagram for Arts

KUNST FÜR UNS betreut Instagram Accounts aus dem musealen Bereich. Strategische Konzeption von Instagram Accounts, Content Erstellung, Instameets, Blogger Relations und Analyse der Instagram Performance sind unser Spezialgebiet.

Um laufend Einblick in unsere Arbeit zu bekommen, folgen Sie uns auf Instagram @kunstfueruns

Instagram Feed

Today’s post for @kunsthistorischesmuseumvienna by #kunstfueruns 🐰Happy Easter! Did you find out the password of our Easter Hunt? It is ‘PASQUA’ 🐰 Congratulations to all winners (we informed them per direct message) and ‘Buona Pasqua’ 😊 If you want to find out more about our digital annual ticket, click the link in our profile now. And the Italian password was already another hint: we are preparing our next major exhibition for autumn: ‘Caravaggio & Bernini’ ✨ Stay tuned for more soon! Ferdinand van Kessel, Views from the four continents with animals: Amsterdam, 2nd half of 17th century (Detail) #kunsthistorischesmuseum #vienna #happyeaster #easterhunt Today’s post for @wienmuseum by #kunstfueruns 🐰 Happy Easter with a #throwback by @ranaanar 👌 Letztes Jahr am Ostersonntag haben wir unter den #WienamSonntag Beiträgen dieses wunderschöne Osterei gefunden. Danke an @ranaanar fürs Teilen! Wir wünschen einen schönen #Ostersonntag und freuen uns schon auf eure österlich sonnigen #Sonntagsmomente 🐰 #wienamsonntag #wien #museum #sonntag #sunday #vienna #sundaymoments #easter Today’s post for @weltmuseumwien by #kunstfueruns 👉Sharing a masterpiece from our newest exhibition: ‘Nepal Art Now’ As this is an exhibition featuring contemporary Nepalese art we had the pleasure to work on it together with the artists. Kiran Manandhar about his painting ‘Spontaneous Expression’: ‘The use of colour in my work is guided by intuitive actions, the primary components which feed into my work. The brushwork and spontaneity with which I approach colour channel the ambience in which painting is created. The river Bagmati in Kathmandu is the inspiration for this work. I completed this pain- ting on site along the river; I forgot myself, and my emotions swiftly flowed with the rapidly flow of water. My hand guided the colours across the canvas. This work reveals the power of nature and its effect on the creative process. More than a mere statement, I wish the viewer to flow with my painting.’ Kiran Manandhar, Spontaneous Expression, 2007, Mixed media, 183 × 183 cm © Kiran Manandhar #weltmuseumwien #ethnomuseum #vienna Today’s post for @akademiegalerievienna by #kunstfueruns 👉On occasion of Good Friday we are sharing a Crucifixion panel that is stylistically similar to the group of works that is classed under the provisional name of ‘Master of the Catherine Legend’. Yet, there have been conjectures about the artist being the son of Rogier van der Weyden. This was presumed because of the precise knowledge of the Rogieresque language of forms. Anyhow, the painting can be dated around 1500 and is one of the very early Netherlandish panel paintings of our collections. Tomorrow we will share a depiction of the entombment of Christ from around the same time. #goodfriday #akademiegalerie #vienna Today’s post for @kunsthistorischesmuseumvienna by #kunstfueruns 👉It’s the last day of our Easter Hunt and here come the last two hints (focus on our April posts for them): 5️⃣ Look out for the Spitzmaus Mummy in a Coffin 6️⃣ For the last egg our easter rabbits asked their feathery friends for help and left it hidden with the beautiful birds we shared recently. 🐰🐰🐰🐰🐰🐰 Did you find all 6 letters? Send us the password via direct message until Saturday, 20 April. From all correct answers we will raffle 5 digital annual tickets! Gillis van Coninxloo, Forest Landscape, c. 1600 (Detail). #kunsthistorischesmuseum #vienna